"Art is a lie that shows us the truth" - Pablo Picasso







Showing posts with label Ektachrome 64T. Show all posts
Showing posts with label Ektachrome 64T. Show all posts

Tuesday, February 2, 2010

Zenit Quarz 1x8C-2


This is my Zenit Quarz (Qvarz) 1x8C-2 (export version name,original name - 1x8S-2). Its an old spring driven Russian beauty. Just by handling it you get the feeling of sturdiness from its metal body. Haven't shot with this one, but its on my next batch. Here are her specs from super8aid:

marketed since 1974 until 1993
production: 30,1102 u
silent super 8 cartridge
film frame: 4.22 x 5.69 mm
lens: Meteor-8M-1 f: 1.8 \ F: 9-38 mm
zooming ratio: 4.2x
focusing: manual, microprism
zooming: manual
filter size: 46 mm
viewfinder: single-lens reflex with adjustable eyepiece: +/- 5 diopters
viewfinder information: f-stop scale at the bottom of the frame
exposure: auto and manual exposure control; TTL Electric Eye
aperture range: f/1.8 to f/22
CCA filter: built-in 85A filter, with filter selector
film speed: auto for 40/50 ASA (18 DIN)
exposure compensation: +/- 2 f/stops (2)
filming speed: 9, 12, 18, 24, 32 fps, single frame
shutter opening angle: <180 degrees
shutter speed: 1/22 sec for 9 fps, 1/29 sec for 12 fps, 1/43 sec for 18 fps, 1/58 sec for 24 fps, 1/77 sec for 32 fps
sound: no
cable release socket: yes
movie light socket: no
handle: detachable
camera drive: spring powered motor (about 33 seconds at 18 fps)
power source: 2 x 1.3V batteries for light meter (PX13 o PX625)
battery check button: no
film counter: yes
weight: 1100 g (2.42 lb)
dimensions: 70 x 105 x 200 mm
tripod socket: 1/4"
made in Russia by Zenit
(1) russian name: 1x8C-2; exportation name: 1x8S-2
(2) this camera uses an adjustable switch for setting the film speed. Film speed settings:
12 ASA (12 DIN) with -2 f/stop
32/25 ASA (15 DIN) with -1 f/stop
50/40 ASA (18 DIN) with 0 f/stop
100 ASA (21 DIN) with +1 f/stop
200 ASA (24 DIN) with +2 f/stop
I had my mind on Tri-X for it, but then I noticed that it was on the "Cameras that will not meter correctly, but have manual override" list on super8wiki. Now this got me thinking. I still have a LOT to learn on f-stops and stuff, and I would definitely need a copy of this camera's manual (my .pdf is in German). Maybe I'll ask around in forums as to just how I can manually override or set the meter on this thing..
Later!

Saturday, January 9, 2010

Me = Stupid (or at least Ignorant)

This just in. And just in time, I think. Before I run off and invest money that i don't have in building up a stock of 64T's (which was my plan), I was studious enough to read Super 8 man's article which states that:

"Interestingly, this also throws a whole new wrench into the valuation of old super 8 cameras. Those cameras that only allow 40 or 160 ASA tungsten readings (25 or 100 Daylight) are now only useable with B&W film stocks. Inserting a cartridge of E64 into one of these two-mode cameras will most likely result in one of two possibilities: an underexposure of 4/3rds of a stop due to the camera metering for 160ASA film loaded, or an overexposure of 2/3rds of a stop due to the camera metering for 40ASA. Either way, dark images or overexposed images are extremely bad when working with reversal film. “Thin” is often the term used to describe slides that have been overexposed in 35mm still photography. The same is true for movie footage. Expect to see your highlights washed out to the point of being pure white. Or, dark, constrasty muddy images when under exposed."

Yikes! So all along, all my "un-64t friendly" cameras can run B&W film (Tri-X)! This is sort of great news, because I`'m not really skilled enough to perform all those fixes or methods to compensate for the under/over exposures...Ok,so at least now I have a different perspective..whew.


Later!


l

Monday, January 4, 2010

This just in: Ektachrome and test 8mm film

Hello. As the title implies (slightly), my first roll of fresh 64T Ektachrome arrived in the mail today. Got it from eBay....again. So did the 8mm film of some Disney stuff that also arrived. The latter I got to hopefully test the Revue Lux 2003 mentioned from my previous post.











As for the Ektachrome, I'm still deciding what camera to test-shoot it with. I'm thinking between the Sankyo MF-303,the NiZo 116, or one of the 2 Canon 514's. What do you think?

By the way, another first in this post is my using BlogPress Lite to post this blog. Here goes nothin'!

Later!